The fair’s third 20th-century-focused edition charts a careful line between safety and excitement.
The fair's third edition leans into the middle market and museum interest to expand the canon—and commercial fortunes—of Modernism.
Independent’s 20th Century fair, devoted specifically to art from its titular period, stands apart as a singular species in New York.
A selection of Tawney's work are on view at Independent 20th century this week, just steps from where Tawney once rented a loft studio space in the vibrant arts community of Coenties Slip.
The fair’s third edition features a strong contingent of under-recognised artists from Latin America and beyond.
Highlights include Lenore Tawney’s fiber work, Selby Warren’s mixed-media paintings, and Julia Isídrez’s ceramics.
See who made the biggest splash at Independent, NADA, Volta, Art on Paper and Spring/Break Art Show
Independent 20th Century opened yesterday in New York at Casa Cipriani downtown. Here, we bring you a roundup of the standout booths that we’re still thinking about with works by Sol LeWitt, John Ahearn, and others.
Many galleries chose to play it safe at Frieze Seoul and The Armory Show this year, presenting works by established artists they knew they could sell. What great artists bubbled up at New York's Independent 20th Century and Spring Break?
Nearly half of the works to be exhibited at Independent 20th Century this week in New York are by women artists, many of whom were celebrated in their day but who may not be as well known to contemporary collectors.
The must-see works of nearly 65 artists will be on display, featuring perceptive solo shows, pivotal 20th-century female creatives, the profound artistry of Indigenous and Black artists, and much more.
With work by Black and Indigenous artists and women Surrealists, this year's fair will offer art lovers and collectors ample opportunities for discovery.
The Independent art fair has named the 32 exhibitors that will take part in the third edition of its Independent 20th Century, dedicated to showcasing art made between 1900 and 2000.
The fair returns to Cipriani South Street in lower Manhattan this September 5–8, 2024.
The Independent art fair has partnered with Los Angeles’s Contemporary Art Library to launch the New York Gallery History Project.
Among a multitude of pleasing yet unadventurous art, the standouts at this year's fair shone especially bright.
Prices at the fair are ticking up, but that did not stop several galleries from selling out their stands during the VIP preview.
As New York’s fortnight of art fairs draws to a close, the 15th edition of Independent breathes fresh air into the city’s art scene.
This year’s fair is in overdrive, with exhibitors taking big swings in dozens of directions. Use our critic’s personal playlist to find your way around the floor.
Celebrating its 15th anniversary, Independent returns to Spring Studios in Tribeca—New York’s liveliest arts district—for the 2024 edition of the art fair, featuring works by more than 130 artists presented by over 85 galleries and nonprofits.
The art fair has a history of helping artists get discovered — and rediscovered. A show at the heart of this year’s fair spotlights that power.
There is 'a growing appetite' from East Asian galleries and artists to show in New York, according to Independent cofounder Elizabeth Dee.
The Independent fair and the L.A.-based nonprofit Contemporary Art Library have joined forces on the initiative.
Independent Art Fair’s curatorial adviser believes New York’s art market is still growing even during an industry slowdown.
This year’s 15th anniversary edition at Spring Studios in Manhattan’sTribeca neighborhood won’t disappoint with 37 galleries, of a total of 88, coming to the fair for the first time. Many will bring artists who are having their New York debut.
The Independent art fair has named the 77 exhibitors that will participate in its upcoming New York edition, which is scheduled to run May 9–12 at Spring Studios in Tribeca. As was the case last year, Independent will not align with Frieze New York, which is to be staged the week prior.
The second-ever Independent 20th Century art fair in New York, dedicated to artists and during that timeframe, has returned in reliably elegant form.
The fair shines a light on lesser-known artists, often overlooked in their day or excluded from canonical retellings of art history.
The art fair's second edition features plenty of paintings, plus some unusual sculptures, by previously overlooked 20th-century artists.
One fair looks to expand the modernist canon while another highlights the many voices working in contemporary art.
The fair's second edition trains a sustained eye over the recent past and offers a corrective to historical blind spots.
In its second edition, the boutique fair’s 20th-century focus brings unseen masterpieces to New York.
This year’s iteration at Cipriani South Street focuses on overlooked artists and their archives.
The Independent 20th Century 2023 art fair recasts the recent past with a New York state of mind.
A couple recognized the Washoe weaver Louisa Keyser’s prodigious talent and spun myths to promote it. But her fortitude shines in work that today can be seen in museums and at the Independent 20th Century fair.
The great artists of the 20th century span genders and cultures even if female artists such as Mildred Thompson or Wanda Pimentel may not be as prominent in the public imagination as Willem de Kooning or Mark Rothko.
The much anticipated, invite-only fair continues its mission of championing artists and movements from the last century.
The fair continues its mission of fostering fresh dialogue about the history of 20th century art.
Independent New York has revealed the exhibitors for its second-ever 20th Century art fair in New York, devoted to art made during that timeframe.
The fair saw a significant uptick in sold-out booths and attendance.
Important lessons absorbed from cultural upheavals have translated into a more thoughtful fair around issues of representation.
The fair’s founder Elizabeth Dee wants to preserve its boutique identity while continuing to fill gaps in recent art history and launching a new print project.
Long sidelined by flat works which are easier to sell digitally, the 3D is resurgent.
Among artistic themes that will play out at Independent New York this May is a return to childhood, and a related exploration of magical realism that reflects artists drawing on interior worlds.
Known for being a launchpad for artists' careers and art trends, the forthcoming edition showcases artists exploring the emergent style.
In New York, two art fairs go in different directions; one tightly focused on expanding the canon, the other unfortunately bloated.
The new fair’s focus on under-recognised figures and bodies of work from last century occasions rich discoveries, including works by artists who were unafraid to challenge material orthodoxies
On September 9th, the Independent Art Fair opens its inaugural 20th-century edition at Casa Cipriani in Battery Park, highlighting artists and programs that span 100 years of creative production.
Just 32 booths this year, a show of artists both famous and unknown at the southern tip of Manhattan is high quality- and sometimes thrilling.
Lepri left a career in diplomacy to pursue a life of art and love with Fini and a Polish writer.
The fair, now in its 12th year, is adding a second New York edition aimed at illuminating art historical blind spots
Independent will hold its first 20th century art fair this fall in a presentation that promises to give visitors a new perspective on art of the era.
The programming will showcase under-known talents like Joe Ray, one of the few Black artists tied to Light and Space.
Not only will the entire fair be devoted to this period of art history, Independent 20th Century also has the stated aim of revising the canon to create a more diverse picture of art history.
A new fair is coming to New York with one objective: to spotlight artists from the 20th century who may not yet have gotten their due. The project is a new initiative from the founders of Independent art fair, Elizabeth Dee and Matthew Higgs.
Returning to TriBeCa’s stylish Spring Studios, this year’s edition of the modestly scaled but elegantly curated art fair features 17 new exhibitors, out of 67 in total, spread over four floors.
The new week-long alignment starts the spring art season with a bang, including the returns of the Independent, Nada New York, Tefaf New York and the Future Art Fair.
Back up to full scale, the May fair will include 67 galleries and five nonprofits that will be exhibiting artists representing a range of compelling themes—from Indigenous art, to art of the African diaspora, to historical genres
Thursday, he’ll present a solo booth at the Independent Art Fair in New York with the Greek gallery Allouche Benias.
“The connections of her paintings to a Surrealist diaspora spun in Mexico and the United States by women was undeniable"
At this year’s Independent Fair in New York, there are the requisite “rediscoveries.” New York gallery Lomex brought the [H.R. Giger] sculpture to the fair, along with some others by the artist, who is known, among other things, for designing the Xenomorph of the 1979 horror movie Alien.
The fair, always a destination for discovering artists—be they young and emerging or older and overlooked—features several presentations foregrounding underappreciated photographers
Independent has long been a darling of adventurous fairgoers. Returning for its 13th edition, the fair remains as strong as ever and is more than worth the trip downtown.
The artist Yu-Wen Wu turned an absurdist set of Google Maps walking directions into a 20-foot artwork in the tradition of Chinese landscape scrolls.
While it’s expected of galleries to put their best foot forward at an art fair, Independent felt innovative and diverse—a snapshot of some of the most exciting talents in contemporary art.
The Los Angeles–based artist Devin Troy Strother is showing a suite of new paintings and sculpture that respond to the 2020 controversy surrounding the postponement of a Philip Guston retrospective.
The aluminum sculpture [by Giger] is the centerpiece of a presentation curated by the gallery’s founder Alexander Shulan, with artists Oto Gillen and Valerie Keane.
Still keeping an eye out for overlooked and underrepresented galleries and artists, the Independent is featuring 43 galleries and approximately 100 artists, with lots of women, nonwhite and a few self-taught artists.
The most pleasurable event of so-called Armory Week is bound to be the eleven-year-old Independent.
Deputy editor Andy Battaglia shares his higlights from both national and international galleries.
In its new home at Cipriani South Street at the Battery Maritime Building, Independent New York promises to excite, confront, protest and tantalise.
Independent—which co-founder and director Elizabeth Dee says is known as the “thinking person’s art fair”—will offer a “compact, curatorially focused presentation.”
The turn-of-the-century building has been closed to the public for over 50 years.
From a network of over 250 galleries assembled since its inception, 40 galleries and institutions have been nominated for the 2021 edition, with
11 galleries making their Independent debut.
This year’s edition, the 12th, will take place from September 9 to 12 at Cipriani South Street, which is opening in Lower Manhattan this year inside a recently renovated historic ferry terminal.
"A fast pace of sales was recorded at this year's Independent, the most curated and crisp of the New York fairs.” —Melanie Gerlis
Sooner or later, everything old is new again, and the most striking presentations in this fair, founded in 2010 by Elizabeth Dee to provide a curated alternative to larger art fairs, are revivals of work from the 1980s, the 1960s, or even earlier.
A strong focus on overlooked and outsider art uncovers indigenous Canadian sculptures and 1980s pinhole photography.
The artist combed through hundreds of hours of Jamaican dancehall footage to create the 10-minute film.
The Independent Art Fair is taking its cue this year from "maverick" dealers who spotlight marginalized communities. Fazakas Gallery, Franklin Parrasch and Garth Greenan Gallery share the mission of educating their audience on overlooked artists.
Now more than ever, the art world is wondering exactly what role fairs will play in the future. In this Q&A, Elizabeth Dee discusses how and why she created Independent Art Fair as an answer to the problems that challenged gallerists participating in the art fair shuffle.
Independent showcases mid-career and emerging artists just beginning to puncture the cultural membrane, and who are rocketing through their processes with endless repositories of style.
Founder Abby Bangser and artistic director Rafael de Cárdenas curate another masterful show.
The Independent art fair, a calming cup of fine herbal tea to the Armory Show’s mixologist-concocted Red Bull and vodka, opened its 11th edition in New York with a serene spirit suited to its downtown home.
As Armory Week gets underway, we zoom in on the art fair shaking up the scene with its intellectual vibe.
The location of Independent was a factor that led Downs & Ross to stage a solo booth of Vikky Alexander at the fair along with vinyl signs that once hung in the windows of the original New Museum space on Mercer Street, just a few blocks away.
Elizabeth Dee, who founded Independent in New York in 2010, and its Brussels edition in 2016, partly as a reaction to what she describes as “football-pitch” events, says that the fairs themselves also have to be more focused, to help their exhibitors hit the right collectors.
The Independent art fair, which is held annually in New York and previously staged presentations in Brussels, has revealed the 63 galleries that will show work in its 2020 edition at Spring Studios in Tribeca.
It’s strange, and a little magical, to see it suddenly filling up with galleries — with three more opening in just the last two weeks and about a dozen participating in last week’s Tribeca Gallery Walk, a biannual tour experience and mini-festival founded by the art fair Independent New York.
(...) this Tribeca (ish) scene doesn’t feel too cool or closed. There’s an emotional–spiritual-metaphysical warmth to the spaces, the art, the people.
Their curatorial work, which is a year-round process, has lead to the emergence of Independent as a glorious glitch in the art world machine.
Representing Austria at the Venice Biennale later this year, she debuted her "phallic caricatures" at Independent New York, her first-ever solo exhibition stateside.
In its opening hours on Thursday, Independent notched a sale that, even had it occurred at The Armory Show, would have been among the highest recorded.
Works by Franklin Williams, Curtis Talwst Santiago, and Marcus Amm caught my eye for their innovative use of color and diverse materials.
The fair, which runs through Sunday at Spring Studios in Tribeca, includes more than 60 galleries, among them Chicago’s Monique Meloche Gallery, Los Angeles’s David Kordansky Gallery, and Air de Paris.
The sort of art fair that critics happily attend even when not contractually obligated to do so.
Action was brisk from the get-go, as patrons made their way across four floors to see booths presented by 64 galleries.
Independent has earned a reputation for measured, thoughtful work curated into an environment designed to avoid the suffocating cubicles-and-aisles format we all love to hate.
Ten years on, I think Independent has shown that the idea of a focused and independently-minded platform for art—of all kinds—still resonates.
In anticipation of the March 7 opening, the fair’s New York Director, Alix Dana, walks us through Independent’s evolution and trajectory.
Independent is celebrating its 10th anniversary this year, and founder Elizabeth Dee is as passionate as ever about its nearly open-plan format.
Throughout our conversation, she emphasizes how gallerists can be financially successful while also being innovators and “activists for the future of culture.”
Independent has spent the last decade working to upend the traditional fair model in spirit and in practice by doing things like eliminating aisles between booth presentations, changing 30 percent of the exhibitors each year, and developing curatorial projects with galleries instead of relying on tedious applications.
The fundraising initiative is part of the fair’s celebration of its tenth anniversary.
We sit down with New Yorker Elizabeth Dee and Parisian Laura Mitterrand, both co-founders of the fair, to talk early beginnings in New York and why Brussels was next in line.
"Independent is all about cutting-edge art, hip galleries, in-crowd schmoozing, and intense looking. I go there first."
As consolidation and hyper-capitalization in the global gallery system reaches unprecedented extremes, many of us in the business find ourselves wondering, what’s next for galleries?
A kind of collaboration with local singers, the performance centered around an instrument of Beer’s own invention: two mouths clasped together to form one booming, nasal conch.
En abandonnant le printemps pour l’automne, Independent affirme ses choix et propose une autre manière de concevoir une foire d’art avec performances, rencontres, visites guidées par des conservateurs de musée
New York’s Independent Art Fair is making another return to bustling Brussels for a weekend of radical art overseen by guest curator Vincent Honoré.
Le modèle de la foire XXe siècle est dépassé et doit évoluer : il peut être irrigué par la performance de manière provocatrice
La foire d’art contemporain ouvre ses portes aujourd’hui dans un nouveau calendrier. Elle renforce son offre non commerciale.
With the opening of Independent Brussels this week—the fair that aims to lie “somewhere between a collective exhibition and a reexamination of the art fair mode”—Emily Gosling selects some of the highlights from the sixty galleries and arts spaces which are taking part.
Under the curatorial leadership of Vincent Honoré, Independent Brussels 2018 will reframe the art fair model into a performative festival welcoming live art, installations, curated displays, music, and discussions, resulting in an arena for experimentation, unexpected interactions and collective thinking.
Elizabeth Dee and Vincent Honoré on Independent Brussels 2018 breaking the art fair mould with performance
Independent Brussels 2018 is the first in its new form as an art fair and performance festival, where experiences and experiments take precedence over existing, traditional formulas.
Independent is een jaarlijkse beurs voor hedendaagse kunst die in 2009 in New York werd opgericht en sinds 2016 ook in Brussel plaatsvindt.
In the space of two days last month, Art Basel and Frieze announced they would be introducing new sliding-scale price models for booths, starting at Art Basel’s original fair in Switzerland and at the new Frieze Los Angeles.
La fiera, giunta alla sua terza edizione, quest’anno presenta un programma dedicato alla performance, con iniziative che rivisitano la rassegna dal punto di vista concettuale e anche logistico. Ecco tutte le novità
Brussel kent gigantisch veel interessante culturele aangelegenheden, zeker als het op kunst aankomt. Onze persoonlijke favoriet onder de expo’s is Independent Art Fair.
Under the curatorial leadership of Vincent Honoré, Independent Brussels 2018 will reframe the art fair model into a performative festival.
“The Indy (Independent Fair) was the closest experience to sleeping in my room at the Gramercy first year.”
If any artist calls out Trump media bias, it’s Brooklyn artist Cynthia Daignault, who shows a series of 15 portraits of the president from American newspaper front pages,... on view at Independent.
In a refreshing reprieve from the every-man-for-himself attitude found at other art fairs, Independent offers a collaborative environment “more akin to a massive gallery”.
Today, we met with Leibowitz at Independent to hear more about the works on view.
At roughly one-third the size of its waterside counterpart, [Independent] is your best bet for keeping burnout at bay.
The tightly curated affair offered much to see. A look around the fair, which runs until Sunday, March 11.
After a snowy start to Armory Week, Independent New York, a fair on the cusp of its first decade, felt like a breath of fresh air.
From pie graphs to itty-bitty handball courts, here are our highlights from the Tribeca-based fair.
"Outsider" artists hold their own against more established contemporary names and inspire buyers in search of authenticity and quirk
[Independent] feels more like a journey of discovery through a contemporary art gallery than a neon-lit, overhung, and über-merchandized buying bonanza.
The formally ambitious but modestly scaled Independent is a godsend. With just 54 exhibits, many of them solo presentations, ... it’s like a leisurely all-star game.
Nearly a decade in, Independent’s mission has calcified: to allow blue-chip dealers to co-exist next to small, emerging galleries, and to allow established artists to have work a few steps over from the new vanguard.
It sometimes feels like it was only yesterday that the Independent art fair made its debut appearance at the old Dia building in West Chelsea in New York, as a more modestly scaled and tightly edited alternative to the city’s other fairs.
The innovative New York art fair's Founding Curatorial Advisor selects a half dozen favorites from this year's edition.
At the helm of spring's leading art fairs– Independent, The Armory Show, and NADA New York– are three formidable women. Antwaun Sargent checks in with the directors for a preview.
The hosts are joined by Independent's founding curatorial advisor Matthew Higgs.
"Gallerists are in daily conversation with artists, and are the beating heart of the art-world ecosystem."
For its third edition, Independent Brussels is jumping ahead from its usual springtime slot alongside Art Brussels and setting out on its own.
Créant l’événement à l’automne 2018, la manifestation bruxelloise innove.
Living up to the fair’s name, Dee has decided to move its third edition away from being a satellite of the Art Brussels contemporary art fair in April and instead let it stand on its own two feet in November.
Independent has announced that Vincent Honoré, the recently appointed senior curator at the Hayward Gallery in London, will serve as guest curator of a special edition of Independent Brussels.
“Vincent brings a strong vision and track record of exhibitions that go beyond the traditional brick-and-mortar format. We’re looking forward to delivering a truly unique context for future art experiences.”
Contemporary curator Vincent Honoré has taken on the role of guest curator at the Independent Brussels art fair (April 19-22, 2018). A focus on performance art, which is one of Honoré’s specialities, can be expected.
Half of the dealers are planning to show all-women booths.
If you’re expecting Frieze or Art Basel, Independent Brussels will surprise you. The European edition of the New York fair co-founded by gallerist Elizabeth Dee is in its second year, and touts a different philosophy: quality over quantity.
Dealers chatted amicably with buyers, curators, collectors and reporters yesterday, in sharp contrast to the speed-dating feel of Art Basel Miami or the Armory. This is the way to do an art fair in New York City, if one must.
Founded by gallerist Elizabeth Dee and curator Darren Flook, and developed in conjunction with creative advisor Matthew Higgs and director Laura Mitterrand, the Independent feels more like a large group exhibition or a biennial than it does an art fair.
With a strong curatorial emphasis, and a policy of continuous rotation among galleries, Independent battles the fatigue of the fair experience by striving for “museum-quality” shows from all of its fifty-one participants.
Whether Brussels is the "New Berlin", your “B-sides” (à la artist Megan Marrin), or a “hellhole” (à la Trump), it’s certainly a destination, especially in the spring, when the de facto capital of Europe draws thousands to its annual Brussels Art Week.
The new offshoot of New York's Independent fair openend in Brussels this week, to considerable applause from exhibitors. "I can't think of a better place to hold a fair,"said the London dealer Maureen Paley.
“It’s like the Guggenheim or Ikea—you are led around and forced to discover things,” says Louis-Philippe Van Eeckhoutte, the director of Brussels-based Office Baroque, one of 72 galleries invited to take part.
Timed to coincide with the established Art Brussels fair, Independent Brussels represents an intriguing new addition to a city known for its strong collector base and influential gallery scene.
Brussels’ community of contemporary art collectors will face a double dose of temptation in the coming week. Wednesday sees the launch of Independent Brussels, a European offshoot of the New York fair that is cited as an alternative to its more traditional corporate counterparts on the circuit.
The New York City art fair grows up and branches out, launching its first European edition.
Laura Mitterrand on the chic "curated" fair's latest moves.
“If we accept that fairs are a necessary evil, then we should at least try to make them more interesting,” says Independent creative advisor Matthew Higgs. “Instead of a trade fair, we’re trying to approximate what artists can do in galleries.”
Whoever the anonymous makers were, regardless of their motivations and compulsions, I saw art driven by inner necessity, elaborate imagination filled with pathos, intensity, something pitiable but incredibly celebratory.
Artist Matthew Higgs has had the privilege of organizing 56 exhibitors for Independent 2014. artnet wanted to know a little about what makes Mr. Higgs tick, and via email in mid-February, he respond- ed to our questions like so:
The art world has different tribes. The crowds at the Armory, ADAA Art Show and Pulse are different because the varying aesthetics and brands on display draw different audiences.
“I’ve signed up,” said London dealer Maureen Paley, who took part in the fair’s debut. “It was a breath of fresh air and brought some real energy to New York.”
Such was the scene just before the opening of Independent, the much-buzzed hybrid non-art-fair art fair that gallerists Elizabeth Dee and Darren Flook organized as a collective-minded alternative to the other bazaars filling New York this Armory Week.
Independent is an art fair with none of the administrative-feeling visual barriers of your typical art fair, and a whole lot more enthusiastic energy.
You might have thought that New York had reached the saturation point in contemporary-art fairs, but no. A new one has just arrived. It’s called Independent. And it is housed, quite attractively, in the old Dia Center for the Arts space in Chelsea, lately home to the utopian X Initiative.
