Mitchell-Innes & Nash

About the Gallery
Founded in 1996 by Lucy Mitchell-Innes and David Nash, who previously headed the worldwide Contemporary and Impressionist & Modern Art divisions of Sotheby’s, Mitchell-Innes & Nash places exemplary contemporary artists within a historical context revealing a continuity of ideas and aesthetic distinction from the Modern era through the present day. Lucy Mitchell-Innes has served as a member of the selection committee of Art Basel Switzerland and is a former president of the Art Dealers Association of America.

Mitchell-Innes & Nash’s renowned exhibition program fosters excellence within artistic practice while forging an informed dialogue between emerging and established internationally recognized artists. From acclaimed surveys of 20th century masters such as Jean Arp, Anthony Caro, Willem de Kooning, Leon Kossoff, Kenneth Noland, Roy Lichtenstein, and Nicolas de Stael, to solo exhibitions of Sarah Braman, Keltie Ferris, Daniel Lefcourt, Eddie Martinez, Pope.L, Martha Rosler, and Jessica Stockholder, Mitchell-Innes & Nash has proven expertise in both advancing the careers of emerging artists and maintaining the superior standard set by established artists.

About the Presentation
Mitchell-Innes & Nash is pleased to present a solo presentation of work by acclaimed American performance artist Pope.L (1955-2023), offering a survey of his provocative, humorous practice. The presentation will include never before seen or exhibited works from the 1990's and early 2000's. With a focus on performance, installation, sound, writing, drawing, and painting, Pope.L’s diverse practice continuously challenges his audience to question deep-seated beliefs surrounding class, race, language, and identity. Known for his ability to expose the contradictions embedded in contemporary culture, he uses humor as both a weapon and a lens to confront uncomfortable truths about our social structures. His works highlight the paradoxes of identity and power, often exploring the liminal space where differences—be they racial, linguistic, or gendered—collide, creating tensions that upend conventional thought.  He enticed the viewer into the dialogue by harnessing humor and familiar public figures, often reassigning roles to challenge and dismantle preconceived notions of history.