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About - Independent Art Fair

Independent 20th Century, Battery Maritime Building ©️Cipriani 

About Us

Independent New York was established in 2010, as a consciously scaled art fair focused on inspiring relevant art encounters for a well-informed and devoted Contemporary Art audience. Independent 20th Century premiered in 2022 to champion artists and international avant garde movements that took place between 1900-2000, in a historical setting (the Battery Maritime Building was built in 1908). 

Independent and Independent 20th Century together premiere internationally recognized artists, spotlight lesser known narratives, or feature a side of a canonical artist's practice that even well-informed collectors and museums find worthy of further curatorial and market attention. 

About - Independent Art Fair

Independent New York, ©️spring studios

There is not a traditional application process, as participation is invite only.  Galleries and non profits are nominated by Independent founding curatorial advisor Matthew Higgs, in conversation with participating galleries and the Independent leadership team.  

Independent has a respected track record of delivering curatorial excellence and launching artists to a new level of artistic recognition. Both fairs are internationally appreciated as a place for discovery and consensus, essential attributes that are increasingly lacking in the art fair ecosystem.

For artists, galleries, institutions and collectors, Independent remains the highest caliber, commercially viable creative platform for the art world’s future. We are the art world’s favorite fair in New York. 

About - Independent Art Fair

First Seen at Independent

Oscar Murillo
In a new weekly series, Independent New York celebrates the artists who got their start at the fair. We kick off with Colombian-born artist Oscar Murillo, who had his New York solo debut with Stuart Shave Modern Art at Independent’s third edition in 2012, the same year he graduated from London’s Royal College of Art. Murillo’s installation of stacked paintings and sculpture, an environment merging the studio and the gym, was recognized by New York Times critic Roberta Smith and discovered by collectors Don and Mera Rubell, who invited the artist to undertake a five-week summer residency at the Rubell Museum in Miami. The paintings he produced there featured in his first institutional exhibition in the United States, opened at the museum in December 2012. 

About - Independent Art Fair

Issy Wood
British painter Issy Wood was first seen at Independent in 2017 at the fair’s three-year exhibition platform supporting international gallery projects in Brussels, Independent Régence. Carlos/Ishikawa presented a spring show pairing Wood’s unsettling paintings with Darja Bajagić’s collages ahead of Wood’s first solo exhibition with the gallery in London that November. Wood went on to make her New York debut as part of Carlos/Ishikawa’s joint presentation with Chapter NY at Independent 2018. The New York Times’ review of the fair highlighted her signature oil-on-velvet paintings among its unmissable booths.


About - Independent Art Fair

Nicolas Party
The eye-catching pastels and murals of Swiss artist Nicolas Party were featured in a solo presentation with Glasgow’s The Modern Institute at Independent in 2015. Composed with hyper precision and saturated in color, Party’s playful figuration estranges the familiar subjects of landscapes, portraits, and still-lifes. His imagery often dialogues with art history; in the installation created for Independent, a floor-to-ceiling monochrome version of Picasso’s Blue Period figure Celestina was superimposed with a view of trees evoking Matisse’s The Dance. Giant wall paintings hinted at Party’s early interest in graffiti, which he has since channeled into architectural interventions and public mural commissions around the world.

About - Independent Art Fair

McArthur Binion
Born in 1946, McArthur Binion has spent 50 years developing a unique style of action painting drawing on autobiography, the African American experience, and the visual tenets of Modernism. His gridded oil-stick compositions integrate a “substrate” of collaged layers of photocopies from his personal history and racially charged found images. Emerging in 1970s New York among a group of Black painters devoted to abstraction, Binion had his first exhibition at Artists Space in 1973 at the invitation of Carl Andre, Sol LeWitt, and Ronald Bladen. He dedicated himself to teaching after moving to Chicago in the 1990s, working as an influential art professor at Columbia College for more than two decades. Catalyzing his career resurgence, he gained gallery representation for the first time in 2013 with Chicago-based Kavi Gupta, which presented his work in a solo exhibition at Independent in 2014.

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Images: © Etienne Frossard.
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